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روان شناسی و مشاوره::
ابژه جوهری
I want to consider Bollas' use of the term 'transubstantial object' because I think that he draws attention to an important aspect of the artist's experience and I want to take his ideas a little further.
Bollas introduces the term 'transubstantial object' to refer to 'the form into which one moves one's sensibility in order to create: into musical thinking, prose thinking, painting thinking' (ibid.
Here, Bollas emphasises the otherness of the transubstantial object, and this seems to relate to my discussion of the interaction between artist and medium in Chapter 4.
Bollas' use of the term 'transubstantial object', together with his suggestion that 'psychic reality leaves its home in the mind', introduces a spatial metaphor in which something from the artist's inner world moves outside into the 'other' territory of the medium's 'language'.
I think that the concept of the transubstantial object conflates two separate aspects of the artist's process - a movement into a way of thinking that is peculiar to the medium chosen and the making of a new artwork.
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